The Schwartz Scene Blog

“…our greatest illusion is to believe that we are what we think ourselves to be…” — Henri F. Amiel

The Art of Deception: Madoff in real life, Mrya in Stephen Schwartz’s Seance on A Wet Afternoon, Frollo in the Hunchback of Notre Dame, and the Wizard of Oz in Wicked

By Carol de Giere

Illusions and cover-ups were on my mind recently as I shopped for a dress for an upcoming opera premiere while wearing shorts, t-shirt, and a baseball cap. Actually, my husband and I don’t mind switching from our casual selves to dressed up versions for one night, and we’re looking forward to attending Opera Santa Barbara’s production of Séance on A Wet Afternoon, premiering September 26th. Still, it’s interesting to consider the range of topics suggested by facades.

Séance on A Wet Afternoon weaves itself around the subject area of illusion, deception, self-delusion, being “in denial”—the misty and twisted possibilities outside of straightforward thinking. The warped mindsets of the couple, Myra and Bill, in the movie version of Séance on A Wet Afternoon, captivated Stephen Schwartz when he first saw it. Years later, when he was commissioned by Opera Santa Barbara for a new opera, he thought Séance would be ideal as source material for something tragic. [Read more about the opera]

As I ponder the kidnapping deception plot of the movie and opera, I can’t help but think of news reports of recent months and years.  I think of master deceiver Bernie Madoff, and of politicians who create facades as model citizens and prove otherwise in their actions. And so it’s not surprising that an artist like Stephen Schwartz should want to depict deception. He has already touched on the topic in Wicked in terms of the Wizard of Oz. His original angle on Wicked was to create a musical that showed how “things are not what they seem.”

There’s another twist on the theme in Séance. Unlike Bernie Madoff, who apparently fully cognizant of the rules he was breaking, Myra doesn’t get what she’s doing wrong. She is in denial about the criminal nature of the kidnapping plan and only focuses on how to bring acclaim to her skills as a medium by revealing the location of the kidnapped child. She believes what she’s doing is legitimate. AND she thinks she’s better at her mediumship than she actually is—she is also self-deceived.

She is much like Claude Frollo in Disney’s The Hunchback of Notre Dame, for whom Schwartz wrote the lyrics for the song “Hellfire.” Frollo is the dark antagonist character who is personally haunted by his repressed desire for the gypsy Esmeralda. Writing the lyric, Schwartz has Frollo sing a prayer while saying “you know I’m so much purer than the common, vulgar, weak, licentious crowd.” Not so! He blames Esmeralda’s “witchcraft” for his own passion’s fire. He tries to destroy her.

Schwartz claims that Frollo was a delight to write for. As quoted in the biography Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked, Schwartz says, “My favorite character I have ever written is Frollo, who is probably the most despicable human being in anything I’ve done; I love him as a character. He was so totally self-justifying and in such denial of his own true motives. It was really fun to go to dark places in myself I would never let myself do in real life. It made me understand why actors love to play villains.”

I’m sure Stephen Schwartz has also relished writing for Myra. He has commented that the movie’s characters struck him as operatic. Myra’s “intense neediness,” for example, “seemed very worthy of being sung, but at the same time, she is covering a lot of what’s really going on inside her with the veneer of calm and pleasantness.” [Comments quoted on a New York City Opera VOX Showcase video documenting his process for Séance.]

The opera depicts a difficult subject and is not meant as a feel-good show. We might consider it a kind of cautionary tale both for the times we live in and for the webs we spin for ourselves.

Says Daniel J. Boorstin about human psychology: “We suffer primarily not from our vices or our weaknesses, but from our illusions. We are haunted, not by reality, but by those images we have put in place of reality.”

This January, Stephen Schwartz and I will be reprising our presentation from October 30th in two new locations: Chicago and San Francisco. See details below.

PHOTO:

Wearing lime green on Wicked’s 5th Anniversary October 30th, 2008, Stephen Schwartz came out to Barnes and Noble in New York City near Lincoln Center to talk about his songwriting process. The gathered audience of about 220 people listened to him play “Corner of the Sky” and “For Good.”

That’s me, the bird perched on the stool. I prompted Stephen with questions related to things that he and I discussed over the years I was writing Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked.

I managed to catch a corner of Stephen’s busy schedule to fit in the two upcoming events.

I’ll put the details in here in press release form. Note that the Skokie event is early evening so you can still make it to Wicked or another show that night. Stephen himself plans to attend Wicked that evening - the last time he’ll see the Chicago production before it closes on January 25th.

Meet Wicked’s Stephen Schwartz in Skokie Illinois

Two weeks before Wicked closes after its long run in Chicago, the show’s composer/lyricist Stephen Schwartz will appear in Skokie on January 10, 2009, with host Carol de Giere, author of Defying Gravity: The Creative Career of Stephen Schwartz from Godspell to Wicked. Schwartz will discuss his work, answer questions and perform several of his songs at Barnes & Noble Booksellers, 55 Old Orchard Center in Skokie at 5:30 pm. He will join Ms. de Giere in autographing the book, and will also sign other memorabilia for those who purchase the book.

Defying Gravity takes readers behind the scenes for the making of Schwartz-related musicals from Godspell in 1971 through Wicked in 2003. The Wicked section of the book spans 150 pages and covers the story of the show’s developmental stages.

Schwartz, whose hit musicals Pippin, The Magic Show, and Wicked have each run more than 1900 performances on Broadway, also holds three Academy Awards. He recently received a Grammy Award nomination for songs for Disney’s Enchanted, which he wrote with Alan Menken.

Stephen Schwartz In Conversation and Song in San Francisco

Monday, January 26, 2009 at 7:00 pm

Stephen Schwartz, composer-lyricist of the international blockbuster musical Wicked, will appear for an evening of conversation, song, and book signing at the Museum of Performance & Design (MPD) as Wicked returns home to San Francisco on January 27 for an open-ended engagement at the Orpheum Theatre. In conversation with host Carol de Giere, author of the new biography Defying Gravity: The Creative Career of Stephen Schwartz from Godspell to Wicked, Schwartz will describe some of his songwriting methods, answer questions about his work and the making of Wicked, and perform several of his popular pieces at the piano. Following the presentation, he will join Ms. de Giere in autographing the book.

The event takes place on Monday, January 26, 2009 at 7:00 pm at the Museum of Performance & Design (MPD), located on the Fourth Floor of the Veterans Building, 401 Van Ness Avenue (@ McAllister) in San Francisco. Admission is free, but space is limited and reservations are recommended — call 415-255-4800, ext. *810. For more information, visit the Museum’s website, www.mpdsf.org. Book sales for this event are courtesy of Books, Inc. in Opera Plaza (www.booksinc.net).

Defying Gravity takes readers behind the scenes for the making of Schwartz-related musicals from Godspell in 1971 through Wicked in 2003. The Wicked section of the book spans 150 pages and covers the story of the show’s developmental stages. More information is available on the book’s website at www.defyinggravitythebook.com

In 2008 at age sixty, Stephen Schwartz reached a new threshold. In July, Wicked passed Pippin and The Magic Show in number of continuous performances on Broadway. All three have run over 1900 performances, making Schwartz the only songwriter in Broadway history with three shows that have reached this milestone. He also holds three Academy Awards. He recently received a Grammy Award nomination for songs for Disney’s Enchanted, which he wrote with Alan Menken. Come meet this living legend.

Wicked, the untold story of the witches of Oz, had its world premiere at San Francisco’s Curran Theatre on May 28, 2003. This opening followed a long development process during which the entire creative team and cast immersed themselves in the brand-new material at the Curran Theatre to launch a spectacular phenomenon that has since redefined theatrical pop culture. Since having its official Broadway opening at the Gershwin Theatre on October 30, 2003, Wicked has been sold out at virtually every performance, breaking house records with box office receipts of over $1.4 million per week. It has been called “Broadway’s biggest blockbuster” by the New York Times and “a cultural phenomenon” by Variety. Wicked returns home to San Francisco on January 27 for an open-ended engagement at the Orpheum Theatre.

MORE ABOUT WICKED

Read all about Wicked on my Stephen Schwartz fan site Wicked pages!

http://www.musicalschwartz.com/wicked.htm

Stephen Schwartz, songwriter for Wicked, Godspell, and other musicals, helped launch the new book Defying Gravity at Barnes and Noble in October 2008. Photo by Terence de Giere

Meet Stephen in Los Angeles - Star-filled Event Monday November 24th, 2008

UP CLOSE AND PERSONAL with STEPHEN SCHWARTZ, an Actor’s Fund benefit event in the lobby of the Pantages Theatre with an opportunity to meet and mingle. Starring: Stephen Schwartz, Jason Alexander, Susan Eagan, Jason Graae, Debbie Gravitte,Karen Morrow, Hila Plitmann, plus a few surprises!

Moderated by Michael A Kerker, Musical Director Georgia Stitt

7:30 pm Cocktail reception
8:30 pm Performance
Post show dessert reception with the performers

Tickets: $125 per person

www.actorsfund.org/performances/current/musicalmondays_10-2008

Schwartz Opera Reading November 21 and 22, 2008 in New York

New Yorkers get early listen of first opera by Stephen Schwartz, Séance on a Wet Afternoon American Opera Projects hosts New York workshop November 21 & 22. Opera Santa Barbara to present world premiere in 2009.

After each performance, audience members who make an additional donation of $100 dollars will be given the opportunity to attend a reception with the composer and cast of Séance on a Wet Afternoon. Find out more about the opera and any opera events on www.musicalschwartz.com/schwartz-opera.htm

Defying Gravity events coming up in San Francisco, Chicago, Washington DC

I’ve been lucky to have Stephen Schwartz contribute songs and stories as part of book signing events with me in Los Angeles and New York for my new book Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked. I’m currently planning 2009 events for San Francisco, Chicago, and Washington DC. These will also include a chance to say hello to Stephen and hear him play some of his tunes. To stay current, please consider subscribing to The Schwartz Scene newsletter or check here or the events page on www.defyinggravitythebook.com/

Defying Gravity autographed copies for holiday gifts

I’m selling a limited number of autographed copies of this first authorized career biography of Schwartz signed by both of Stephen Schwartz and myself (as author). Did you know that the book also includes over 200 photographs and illustrations, such as handwritten music from “The Wicked Witch of The East” song from Wicked, a new music for a segment of Godspell, and more? Please write to carol@defyinggravitythebook.com if you’re interested and visit the “About the Book” section of the book site: www.defyinggravitythebook.com/ to learn more.