Stephen

Godspell 1 Comment »

John Ondrasik and Stephen Schwartz at Songwriters Hall of Fame

Photo: John Ondrasik shares Stephen Schwartz’s moment of glory at the Songwriters Hall of Fame, June 18, 2009, New York City. Photographer: Jessica Schwartz, Stephen’s daughter, who attended the big event.

Blog Article by Carol de Giere

June, 2009

To be “inducted” into the Songwriters Hall of Fame is an honor saved for a few famed artists each year, which makes it a rare experience on its own. For inductee Stephen Schwartz, what made the 40th Songwriters Hall of Fame evening special was not so much the plexiglass trophy he could take home to place beside his golden Oscars and Grammys, but the people being honored at the same time.

Schwartz was among seven songwriting talents inducted this year. His honor came from the status of his songs in American culture, like “Corner Of The Sky,” from Pippin “Day By Day,” from Godspell, the Oscar-winning song “Colors Of The Wind,” from Pocahontas for which he wrote lyrics, and “Defying Gravity” from Wicked.

Other inductees and their hits included:

  • Eddie Brigati and Felix Cavaliere from The Rascals: “Groovin’,” “How Can I Be Sure,” “A Beautiful Morning,” “Good Lovin’”),
  • Crosby, Stills & Nash: “Teach Your Children,” “Southern Cross,” “Wooden Ships,” “Suite Judy Blue Eyes,”
  • Jon Bon Jovi and Richie Sambora: “Living On A Prayer,” “Wanted Dead Or Alive,” “Blaze Of Glory,”
  • Roger Cook and Roger Greenaway: “Long Cool Woman In A Black Dress,” “This Golden Ring,” “Green Grass,” “Here Comes That Rainy Day Feeling Again”
  • Galt MacDermot, James Rado, and the late Gerome Ragni: “Aquarius/Let The Sunshine In,” “Hair,” “Good Morning Starshine,” and “Easy To Be Hard”
  • Sir Tom Jones would receive the Howie Richmond Hitmaker Award for his long career of pop hits such as “Delilah,” “She’s A Lady,” “It’s Not Unusual and What’s New Pussycat?”

The legendary songwriting team behind Motown hits such as “You Can’t Hurry Love” and “Stop! In The Name of Love” had previously been inducted, but at this 2009 ceremony, Holland-Dozier-Holland were to receive the Johnny Mercer Award. There were also special trophies distributed for unique achievements, such as The Towering Song Award for “Moon River,” and the Hal David Starlight Award would go to Jason Mraz as the most promising up and coming artist.

The Big Night Arrives
As this year’s sold-out event on June 18th began, about 1000 attendees flocked to the Marriott Marquee in Times Square for the $1000 a plate dinner. TV cameras and print photographers filled up the entryway where some of celebrity recipients paused to answer questions. A Rolling Stones magazine journalist captured a comment from an inductee of the evening. “On a night like this, it comes back to one thing: the power of the pen,” Jon Bon Jovi said. “If you write one song that comes across decades, you’re lucky. If you write a body of them and you’re recognized in the Songwriters Hall of Fame, it’s prestigious.”

Blogger Mike Ragogna who was on the scene reported that many of the evening’s highlights came from stories or praise the presenters gave: “…it was a hoot to watch the admiration by most hosts of their particular act, like when Five For Fighting’s John Ondrasik spoke like a fanboy about his winner, Broadway’s Stephen Schwartz, before eventually singing their co-write, ‘Slice.’”

Ragogna also wrote that “James Taylor couldn’t say enough good things about Crosby, Stills & Nash. He also performed a medley of their signature songs ‘A Long Time,’ ‘Teach Your Children,’ and ‘Love The One You’re With’ as the perfect tribute to his friends and past vocal collaborators.”

The audience was treated to performances by such talents as Crosby, Stills, and Nash offering their own “Helplessly Hoping,” BeBe Winans singing “You Can’t Hurry Love,” Clint Black playing Cook and Greenaway’s “Long Cool Woman In A Black Dress.” Henry Mancini’s daughter Monica and “Moon River’s” original crooner, Andy Williams, entertained with that classic piece.

When it was Schwartz’s turn to say a few words and perform “Defying Gravity” from Wicked, he accepted the trophy with gratitude. He talked about how thrilled he was to be inducted on the same night that Holland-Dozier-Holland were getting an award because they had changed how he listened to music. In 1964, his first year of college, he became enamored with the songs that Brian Holland, Lamont Dozier, and Eddie Holland wrote for the Supremes, The Four Tops, and others.

Godspell original cast albumSchwartz also mentioned how great it was that the writers of Hair were being acknowledged, since without them and their show, Godspell would not have been possible.

The evening ended late enough that the current cast of Hair could come over and join the musical’s writers, along with former members of the Fifth Dimension, in singing rousing versions of “Aquarius” and “Let the Sun Shine In.”

Thirty-eight years passed between the time Schwartz wrote the finale of Godpsell and this night when he enjoyed being honored for the sunshine he had brought to others.

Recommended Online Resources:
Read all about Godspell, Pippin, Wicked and other Schwartz musicals at http://www.musicalschwartz.com/

Read about the Stephen Schwartz biography Defying Gravity: http://www.defyinggravitythebook.com

For more on the Songwriters Hall of Fame event see Mike Ragogna’s blog post at http://www.huffingtonpost.com/mike-ragogna/the-songwriters-hall-of-f_b_217912.html

Or the Rolling Stones story at http://www.rollingstone.com/rockdaily/index.php/2009/06/19/bon-jovi-csn-mraz-and-jones-join-songwriters-hall-of-fame/

Copyright by Carol de Giere

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Stephen

Working No Comments »

Stephen Schwartz and Scott Schwartz protected by copyrightAnother Father’s Day brings a reminder of the touching song “Fathers and Sons” from the musical Working, which explores the complex emotions in father-son relationships. In the podcast that I’ll be linking to below, Schwartz comments on what he believes may be common patterns. “…When you’re young you idealize your father and he’s your hero; and then as you come into your teenage years and you become more realistic about who your father is, the fact that he has flaws is devastating in some way.”

To write the song, Stephen called to mind some of his feelings about his father, Stan, and also about his own son, Scott Schwartz.

The photo shows Stephen and Scott, a portrait taken at the time of a workshop production of Stephen’s first opera. Scott directed the workshop and will direct the final production in Sept/Oct 2009.

Here are links to relevant pages on the Internet:

Fathers and Sons Blog post/Podcast including an interview with songwriter Stephen Schwartz.
http://www.theschwartzscene.com/blog/2007/11/07/working-the-musical/

Defying Gravity - Stephen Schwartz biography that includes the whole behind-the-scenes story of the making of Working, not to mention some cute photos of his kids. http://www.defyinggravitythebook.com/

Detailed website page about the musical Working that includes the song, “Fathers and Sons”
http://www.musicalschwartz.com/working.htm –>

Three

Pocahontas No Comments »

by Carol de Giere

Three Wolf Moon Pocahontas based t-shirtPocahontasWolves howling at the moon: a suitable image for a song about living with nature, but for a t-shirt? It might not become popular without a marketing miracle. According to news reports, the rate of sales on “Three Wolf Moon” t-shirts at Amazon.com had only been a few per day for the first few years it was available.

That all changed when a YouTube video “Three Wolf Moon” appeared. A sketch comedy company calling themselves Dr. Coolsex created the video featuring a modern girl dressed as Pocahontas guiding a young man to buy and wear the shirt in order to become “one cool guy.” The soundtrack is a parody version of Stephen Schwartz’s lyric for “Colors of the Wind” about wolves, with music by Alan Menken.

As soon as the video reached hit status, the “Three Wolf Moon” t-shirt became a fashion sensation and best seller for Amazon. [Try it for yourself and see what happens] Three Wolf Moon T-Shirt, Available in Various Sizes

The video’s song lyrics spin off of comments left by Amazon.com buyers as well as Stephen Schwartz’s original “Colors of the Wind,” especially the verse: Have you ever heard the wolf cry to the blue corn moon

The story of the origin of this line is one of my favorite.

Green Corn Moon Became Blue Corn Moon

While preparing to write lyrics for the Disney film Pocahontas, Schwartz read a lot of Native American poetry and came across a reference to a “green corn moon.” He noted that in some Native American tribes, months were named after moons, including the ‘green corn moon’ of August. He wanted to use that in a lyric but didn’t want to use “green” to avoid association with the myth of the moon being made of green cheese, and he believed that the “ee” sound wouldn’t sing well. So he switched it to blue corn moon…..

In the Pocahontas chapter of Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked, I include the full story as well as some of his handwritten notes such as rhyme ideas, the story of Carole Schwartz’s suggestion for “Just Around the Riverbend,” and more. http://www.defyinggravitythebook.com

For Some Future Moon

I recently had the chance to meet with Stephen about some upcoming events and projects. I told him about the “Three Wolf Moon” sensation. Who knows? Maybe next time you see him, he too will be wearing the t-shirt.

For future updates on this award-winning songwriter, be sure to subscribe the quarterly newsletter associated with this blog: The Schwartz Scene: http://www.musicalschwartz.com/newsletter.htm

And for the full original “Colors of the Wind” lyrics, sheet music, recordings, or DVD for the movie, see Pocahontas. –>

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